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Janice Earley - Printmaker, Artist, Illustrator close

Janice Earley

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Close of the Day

Generally I try to keep my drawings simple; this is my artistic interpretation and only a start to the creative process that will develop through my linocut. It is possible to prepare your drawing on tracing paper if you prefer, especially if it contains a lot of detail. The image is then copied onto the lino block in reverse – you must remember that the finished design will be printed as a mirror image. It is especially important to work in this way when you are printing letters or numbers otherwise on the final print they would appear the wrong way round!

IMG_29501. Having cut away the area I want to remain white the block is inked with the lighter colours of red, yellow and beige. These are then printed. (I could have chosen to ink in grey initially but sometimes if you print this shade first you can lose the vibrancy of the subsequent lighter colours that you add! It is worth experimenting). This first print often looks nothing like the finished image!

IMG_29522. The areas that I wish to remain red, yellow and beige are then cut away. The grey is printed for the floor of the boats and for parts of the tone on the water. The print is now starting to take form.

IMG_29553. I then cut away the areas of the grey that I wish to retain. I next print mid-blue for the boats and water textures. I am building up using thin layers of ink to create the image, generally working from light to dark.

IMG_29534. Having cut away on the lino block again for the mid-blue that I wish to preserve I next print thin layers of orange for the buoys and a dark blue for the shadows in the boats and on the water.

IMG_29465. Finally having cut the area I wish to keep from the previous colours I print the final colour – a black or a very dark blue.

IMG_29486. The remaining block shows that there is very little left of the original lino. l have produced a linocut using the ‘reduction method’ – reducing the block each time a new colour is printed.

If the design allows, it is possible to print more than one colour at a time by using narrow rollers. This cuts down on printing and drying time. Once the prints are dry they are signed and numbered – in this instance, ‘Close of the Day’, 1/14. This means there are a total of fourteen prints in this edition, this one being the third in the series. Prints are then ‘window mounted’ or framed for exhibiting and selling.

Hence the finished lino print.

Janice Earley | Artist | Printmaker | Illustrator

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My Work

My principal interest is linocut. I mainly work in oil-based inks on specialist paper. Generally I produce between seven and twenty two prints in each limited edition. Occasionally I will work on larger editions for one colour prints. I have been lino printing for over twenty five years and have been fortunate to work closely with other specialist printmakers who have influenced my printing work in a variety of ways. Nothing can replace, or Read more

About Me

I was brought up on the south west coast of Cumbria. I was always outdoors, exploring the coastline or the countryside. The experience of enjoying the natural beauty of the Lake District seems to have stayed with me. I felt really privileged to live so near the coast yet on the edge of the Lake District – Read more > 

My Work

My principal interest is linocut. I mainly work in oil-based inks on specialist paper. Generally I produce between seven and twenty two prints in each limited edition. Occasionally I will work on larger editions for one colour prints. I have been lino printing for over twenty five years and have been fortunate – Read more > 

Latest Exhibitions

  • The Great Print Exhibition at Rheged15/11/2017 - 11:01 am
  • ???name of the image???, artist high hesket cumbria, printmaker high hesket cumbria, illustrator high hesket cumbria, janice early, rookery studioForthcoming events in Cumbria – dates for your diary!15/11/2017 - 10:16 am
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